They alternate with slightly asymmetric jackets, accompanied by zip-up skirts with flat pleats that reveal silk and lace shorts beneath. As if hastily pulled on, the unlined jackets and big coats in tweed, as light as knitwear, are worn over long skirts and pleated blouses. This contemporary energy is equally diffused over caps in silk or tweed, sleek clutch bags in perforated silver leather, flat shoes with cross over straps, and the big pendant necklaces that resemble ID badges, held on with a snap hook. Touch fasteners replace buttons, braiding becomes a thick jersey cable woven multi-coloured tweeds include rubber strands and vinyl strips cotton, denim and wool threads line up like countless electronic cables collars and cuffs are swathed in embossed translucent gauze.Įxplosions of colour are everywhere over backgrounds of blue, red, yellow, pink, purple, black and navy, a mix of pastels and electric shades. Her modernity is affirmed with new details through “new materials and a wardrobe that is not classic at all”, says Karl Lagerfeld. And over that she nonchalantly sports a tweed jacket with rounded shoulders, long sleeves and wide lapels, and a pair of culottes zipped at the front and back. The Spring-Summer 2017 CHANEL woman wears her babydoll and negligee in silk and lace. This season more than ever, with grace and tenderness, femininity takes control in a collection that allies the audacity of lingerie and the comfort of tweed. His vision celebrates a woman walking through kilometres of cables, metallic racks and computer cabinets: she is the very heart of the Data Center CHANEL, she who is the final word and the mistress of this digital universe. In an ultra-technological world where daily life is increasingly dematerialised, Karl Lagerfeld puts humans back at the centre of everything by making “Intimate technology” the theme of his collection. CHANEL SPRING SUMMER 2017 WOMEN’S COLLECTION – PARIS FASHION WEEK
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